The first half of her set focused on “Star-Crossed” and its much-sunnier predecessor, 2018’s “Golden Hour,” which won four Grammy Awards, including album of the year, and landed at 270 on Rolling Stone’s 500 Greatest Albums of All Time list. The songs may have been serious, but she kept her own mood light, telling the crowd “I made a really depressing album, sorry about that … I think the next one might be happier, but tonight we can be sad together.” And while she seemed a bit off at points - opening night jitters, maybe? - Musgraves also let her winning personality shine through. Not to say it was all doom and gloom, as Musgraves’ nimble band injected real energy into the songs and found ways to amplify the hooks. She opened with the first three tracks from the new record and the lyrics from the title track made it clear what was to come: “Let me set the scene/Two lovers ripped right at the seams/They woke up from the perfect dream/And then the darkness came.” Oh, and she sang that song with a large metal heart of fire behind her. Musgraves really leaned into the whole “Star-Crossed” theme, starting with playing songs from the “Romeo + Juliet” soundtrack over the loudspeakers before she took the stage. Paul’s Xcel Energy Center, and they gave the 33-year-old Texas native one of the warmest receptions I’ve seen at a concert in years. Who wants to go out on a bitterly cold Wednesday night to listen to a bunch of sad songs about divorce? More than 9,000 people did at St. And the tour is in support of her fifth album “Star-Crossed,” which takes a stark, brutally honest look at her 2020 divorce from fellow singer/songwriter Ruston Kelly. Those things will carry on forever, as long as humans are living, breathing, crying, loving, dying, fighting, all of that.It seemed like an odd decision when country crossover star Kacey Musgraves announced she was kicking off her first arena tour in Minnesota, in the middle of January. They’re just wrapped up in a different way. But it’s themes that we’re still familiar with today. It’s still pretty heady, the ‘old English’ and all that. “At the time, I didn’t quite understand it. And I was like, ‘Whoa, what if the album was formulated like a modern Shakespearean or Greek tragedy?’”, she said in a profile with Elle Magazine. “The word tragedy just popped into my mind. Musgraves, who won the 2019 Album of the Year GRAMMY for Golden Hour, tapped into the sorrow and trauma of her divorce and found the process of writing about it cathartic. But it’s also more eclectic, far afield of modern radio tropes, either of the pop or country varieties.” Musgraves is also booked for Primavera Sound in Barcelona, Spain on June 2.Īs the new album emerges, The Guardian’s Laura Snapes writes in her review of star-crossed: “If there’s a fresh direction here, it’s to more straightforwardly poppy songs that make a virtue of Musgraves’ sweet melodic tendencies.” The Line of Best Fit describes it enthusiastically as “a record that has surpassed all of the greatness her previous efforts entailed.” Slant, meanwhile, says that the follow-up to 2018’s Golden Hour is “just as effortlessly melodic and accessible. The itinerary concludes on February 20 at Staples Center in Los Angeles. Highlights include a February 5 date at Madison Square Garden in New York and her February 11 appearance at the Bridgestone Arena. The artist will begin a run of dates on the star-crossed: unveiled tour in North America on January 19 in St.
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